Chanson de l’Ange by Paisley Swan Stewart is a 3 volume epic retelling of The Phantom of the Opera by Gaston Leroux. Drawing inspiration from The Opera Ghost in all his incarnations through book and film; and remaining faithful to key story elements from the classic original, the author weaves a haunting tale of Christine Daae’s companionship with the mysterious Angel of Music.
Book One~Orphan in Winter: opens with the tragic
death of ten year old Christine Daae’s father, ushering in dramatic
changes when she is left in the care of Madame Louise Giry. Christine
makes her new home in the The Paris Opera’s conservatory where she
encounters a bohemian world of singers and dancers, and where she is
visited by the unseen Angel of Music.
MY RATING: 5 STARS
Years and years of patience have been rewarded! I haven't even been
waiting as long as some readers, and certainly not as long as the author
herself. Ten years of love and labor are richly paid off.
Book one sets the stage for what is bound to be an amazing journey into the world of The Phantom of the Opera.
One of the things I missed in Gaston Leroux's original was more
detailed characters. There is solid framework in the rather short novel
(too short for my liking!), but Erik, Christine, and Raoul remain
archetypes. I wanted deeper psychological profiles, and Paisley didn't
disappoint me. The focus of Orphan In Winter is the beginning
of Christine's relationship with the Angel of Music and her slow
entrance into adolescence and adulthood, so I'll start with her.
is usually portrayed as an insipid, insufferable child, complete with
the trademark Sarah Brightman vacant stare. Paisley brushes that aside, showing
us a lost little girl grieving her father and so desperate to have him
back that she clings to his final promise to send an angel to watch over
her. The Angel appearing while she is still a child makes her seem less
gullible and more like a kid believing in Santa...and when Santa
remains a constant presence for seven years straight, it's no wonder she
still believes in him. She inspires empathy and love--I would call her
one of the few Christines that have inspired such feelings apart from
the original. She is fanciful, not simple, and her slow awakening to
womanhood is remarkable.
Which brings me to Erik. Very
well-written, capturing all the power, mystery, and tragedy of his
character. He is a complex man, to say the least, and difficult to
write, and it spells disaster for any writer who fails to pull him
off...fortunately, Paisley did. His eroticism and masculinity were
thrilling indeed, but I was even more moved by his changing feelings for
Christine. He becomes her benefactor on a whim, like he has nothing
better to do, then comes to care for her as a guardian until his love
becomes the obsessive, consuming passion that drives him onward. A gripe
I always had with the '04 movie's attempt at a backstory was how it
contradicted what the audience already knows about Erik, and I
appreciated how neatly Paisley sorted out that tangle. I would have
liked to see more of his dark side, since he is by no means a selfless,
benevolent, rational man, but the story has only just begun...
the Vicomte de Chagny. I can't clear out of here without saying
something about him. Oft abused, usually the victim of horrific
character assassination by extremely biased writers that refuse to give
him any credit whatsoever. I was ready for all of that when he showed up
in the last half of the book, but I was delighted with the accurate
portrayal! A sensible, caring, impulsive young man head over heels in
love with his childhood playmate. After seeing him trampled so many
times I've taken to carrying pom poms for him, and I'm glad he wasn't
written into an abusive/alcoholic/unlovable loser we've seen so often
(by simple virtue of his not being Erik! What gives?)
To wrap up
my discourse on characterization, I applaud Paisley's portrayal of the
Girys! They were precisely what I've imagined, and I love that they play
a key part!
The rich detail and stunning imagery are wonderful, but what I loved most about Orphan In Winter
was the budding romance paired with the disturbing aspects of Erik and
Christine's relationship. It's complex, as it should be. She has known
him as an invisible Angel. He's been a father figure to her, and so
twined with the memory of her father that any idea of a romantic
relationship seems, well, disturbing. Music remains the binding force
between them, and Christine's song "The Bleeding Rose" serves as a
brilliant theme, tied to her past and foreshadowing the triangle to
come. Ending with Christine's debut in Faust was absolutely breathtaking, and thank God I had Book Two ready to pick right up!
Chanson de l'Ange
outstrips most Phantom retellings I've read. There is a genuine love
and understanding of the story that is too often lacking, making it all
the more amazing when you find it. I put it on the shelf directly next
to Gaston Leroux with select other retellings, and there it will stay.
If the other books are half as good, they will have earned it!
Your humble book nerd,