Taking another break from editing (holy crap, I'm falling behind!)
Two sisters competing for the greatest prize: the love of a king.
A
rich and compelling novel of love, sex, ambition, and intrigue, The
Other Boleyn Girl introduces a woman of extraordinary determination and
desire who lived at the heart of the most exciting and glamorous court
in Europe and survived by following her heart.
When Mary Boleyn
comes to court as an innocent girl of fourteen, she catches the eye of
Henry VIII. Dazzled, Mary falls in love with both her golden prince and
her growing role as unofficial queen. However, she soon realizes just
how much she is a pawn in her family''s ambitious plots as the king''s
interest begins to wane and she is forced to step aside for her best
friend and rival: her sister, Anne. Then Mary knows that she must defy
her family and her king and take her fate into her own hands.
MY RATING: 5 STARS
You know the drill, review from GoodReads and all that jazz.
It took me three days to
read this, and then another three days to collect my thoughts for a
review. And trust me, collecting my thoughts was no easy task. You ask
why? Because this one put me through the wringer, no two ways about it.
In
summary, I loved Mary and Queen Katherine, was in love with William
Stafford, liked George, went all over the radar with Henry, and utterly
despised Anne--or, as I took to calling her, "that b**** Anne." The
movie played up sisterly love only impeded by rivalry, but reading this I
got the sense that there was no love lost between Annamaria and
Marianne. None whatsoever. There was more respect and affection between
Mary and the queen, with the drawback to that relationship being Mary's
reluctant loyalty and obedience to her family, which tended to cause a
bit of unpleasantness. Well, that and the fact that Mary was Henry's
mistress before she was put aside for Anne, who succeeded in pushing
Katherine off the throne and unintentionally paved the way for her own
downfall. This thing is full of backstabbing, double-crossing, and
treachery, but what do you expect? It's the Tudor court, children!
I'll
probably regret reading what's known as Philippa Gregory's best book
before I got to the others, but I'm not concerned about that at the
moment. I was certainly impressed with the way she combined vice and
luxury, opulence and decadence, to make ambition and deception seem very
glamorous indeed. This is what made the court of Henry VIII so
fascinating! The intrigue! The debauchery! The constant threat of
treason clashing with the unending flirtation! Granted, since this is a
novel as opposed to a biography, liberties are taken with some of the
facts, but it's not far from the truth to say you could rise to power in
the blink of an eye, then fall from grace just as quickly; just pray
you didn't land on the scaffold, because Henry sure did like beheading
people who disagreed with him.
I knew how this was going to end,
being a Tudor enthusiast since I was eight years old, but I spent all
six-hundred some pages on tenterhooks wondering who in the world was
going to screw up next. Not to mention all the times my heart broke, I
lost my temper, or was just plain dumbfounded. It was an exhausting
read, but I couldn't put it down! I was always fascinated by Anne Boleyn
the most out of Henry's wives, as she seemed like a cold, dangerous
woman, to be so ambitious and so hell-bent she turned the kingdom and
half of Europe upside down to gain the throne of England. I liked Ms.
Gregory's angle of it being a twisted form of vengeance for being
separated from her girlhood love, as it gave her a motive beyond plain
calculation and cunning. It gave her a heart, one so corrupted by the
loss it drove her to madness. But still, I felt no pity and no sympathy
for her, this harsh, ruthless, and at times evil woman.
Now,
Mary, on the other hand...I felt for her. There were times when I wanted
to slap her for going along with her dysfunctional and just plain
warped family's plans and times when I wanted to strike them all dead
for using her as they did, as a piece on a game board and less than
human. I moved between annoyance with her for being so subservient as to
put their plots before her own conscience, but I was ready to champion
her when she was mistreated and cheering her on when she finally got the
courage to stand up for herself. And I mentioned Katherine above...pure
admiration. I wonder what it really must have been like, to have to
smile and look the other way while her husband was philandering in front
of the whole court and know that sooner or later, her marriage would
come to an end, even if it was still binding. I'm almost glad for her
that Henry was arrogant enough to declare it invalid. As humiliating as
it must have been, I know I would have been relieved it was all over.
There was some excellent writing here, and I feel no guilt in flinging some of my favorite quotes at you:
"Why should Anne be the one who says how things are done?" I demanded. "Why d'you always listen to Anne?"
..."Because
she's got a head on her shoulders and she knows her own value...whereas
you have behaved like a fourteen year old girl in love for the first
time."
"But I am a girl of fourteen in love for the first time!" I exclaimed.
"Exactly," he said unforgivingly. "That's why we listen to Anne."
***
"Something
is lost for you. Your innocence, your first love, your trust. Perhaps
your heart is broken. Perhaps it will never mend. Poor silly
Marianne...to do one man's bidding to please another man and get nothing
for yourself but heartbreak."
***
It felt as though we
were fighting something worse than Anne, some demon that possessed her,
that possessed all of us Boleyns: ambition--the devil that had brought
us to this little room and brought my sister to this insane distress,
and us to this savage battle.
***
Her bleak view of the
world made me pause. But then I thought of my own children. "After your
baby is born, and you are well--then I go to Hever," I stipulated.
"After the baby is born you can go to hell if you like."
Returning
to the review...and wrapping it up as fast as possible. I liked this
one. Historically skewed? Why, yes. Good enough I'd read it again? I
think five stars speak for themselves.
Your humble book nerd,
Angels
Books, music, movies, writing, Phantom of the Opera...pretty much everything but the kitchen sink!
Monday, November 12, 2012
Saturday, November 10, 2012
NaNoWriMo Update: Theme Songs
Yes, you read that correctly. Remember what I said about music and writing? That's all this is, really. When I get an idea of where I want to go with a piece and what kind of story it will be, a song usually comes to me...it's kinda weird and kinda cool, but they always seem perfect somehow. That particular song guides me through the story as I write, whether it's through the message, the emotion, or the atmosphere. And this month, I'm working with three of them! Curious? Here they are!
Love Story - Taylor Swift
Broken - Seether featuring Amy Lee
To Make You Feel My Love - Garth Brooks
Don't fret, darlings, I'll be back soon!
Your pal,
Angels
Love Story - Taylor Swift
Broken - Seether featuring Amy Lee
To Make You Feel My Love - Garth Brooks
Don't fret, darlings, I'll be back soon!
Your pal,
Angels
Friday, November 9, 2012
More Phan Art
I'd decided November was going to be dedicated to NaNoWriMo and everything else was going to be put on hold...even Phantom Friday...but I couldn't resist.
When Christine Dies by DarthxErik
I laughed so hard when I first saw that, I spit coffee all over the computer!
Your pal,
Angels
When Christine Dies by DarthxErik
I laughed so hard when I first saw that, I spit coffee all over the computer!
Your pal,
Angels
Thursday, November 8, 2012
NaNoWriMo Update: Progress!
Woo hoo! I'm off to a slow start, but it's still a start! To
celebrate (and because I felt like it), I'm sharing with all *counts*
well, it seems my dashboard says there's nine of you, but I can only see
six...well, I'm sharing this with you, anyway. Behold! The prologue of
one-third of my first NaNo assignment ever! Be sure to tell me what you
think!
***
One of Anna’s favorite childhood memories was that of listening to her mother stories in front of the fire with the sound of her father’s forge in the background. They were the same stories that all mothers tell their children, but to Anna, the fair damsels, brave knights, evil villains, and fierce dragons were strange and unfamiliar when spoken of by anyone but Mavourneen Black. It didn’t matter that the stories were a little different every time due to Mavourneen’s imaginative embellishments, because it was the odd details she loved best.
***
There it is! Off to a good start, you think? Gotta get back to work now!
Your pal,
Angels
***
One of Anna’s favorite childhood memories was that of listening to her mother stories in front of the fire with the sound of her father’s forge in the background. They were the same stories that all mothers tell their children, but to Anna, the fair damsels, brave knights, evil villains, and fierce dragons were strange and unfamiliar when spoken of by anyone but Mavourneen Black. It didn’t matter that the stories were a little different every time due to Mavourneen’s imaginative embellishments, because it was the odd details she loved best.
Anna’s
favorite story was the one Mavourneen told her nearly every day, the one about
the handsome prince that fell in love with the lowly but beautiful beggar girl.
She knew it from beginning to end, upside down and inside out, but she always
had to hear it just one more time. At least, she had to hear it one more time until
the day it was spoiled for her.
She
was eight years old that fall morning, sitting as usual with Mavourneen in
front of the fire. Papa had been in the forge for several hours already. Alban
Black’s reputation as the most skilled smith in Lelian meant a steady income
for the family, and long hours spent sweating over the fires for Alban, shaping
this tool for that farmer, some horseshoes on occasion, or a sword for an
up-and-coming knight when they were lucky.
“One
day, the prince was riding through the streets when he saw her standing there
on the corner,” Mavourneen recited in her story voice. There was no one in the
world with a story voice like Mavourneen’s, as rich and warm as the spiced
cider that was sold in the tavern a few streets away. “She was wearing the same
old, gray dress she’d been wearing for weeks and her face was dirty, but she
was still the most beautiful girl he’d ever seen.”
This
was Anna’s favorite part. She squirmed in delight but stayed still enough for
Mavourneen to finish braiding her hair. “Was she on the corner to beg, Mother?”
she asked.
“Why,
no, Anna,” Mavourneen replied. “Some kind person had given her a basket of
flowers, and she was selling the blossoms for copper coins.” She knew how Anna
loved this version, and she herself loved telling it. “The prince rode over,
nodded to her, and asked, ‘How much for the whole basket, fair maiden? I ride
to a woman in the city who has my heart, and I mean to make these flowers a
present for her.’”
“What
did she do?” Anna asked, already knowing the answer.
“She
was moved by the prince’s words,” Mavourneen continued, “and wondered what
exceptional maid had won the heart of this handsome prince. She counted the
flowers and named her price. The prince took the basket from her then got down
off his horse, knelt before her, and said, ‘Take your flowers, my lady, and
come with me to my castle. I love you with all that is in me. Marry me, and—“
“’Live
with me forever.’ Always a different story, but always the same speech.” Bran,
Anna’s twelve-year-old brother, came in from the yard behind the house with a
pail of water drawn from the well outside. It wasn’t typical for families in
the neighborhood to have private wells, but as a smith, Alban was afforded the
privilege.
“There
are limits to even my storytelling abilities, young man,” Mavourneen told him,
then she smiled and finished her story. “The beggar girl was so happy she could
do nothing but say yes. The prince rode off with her to the castle, they
married within a month, and lived happily ever after.”
She
tied a ribbon at the end of Anna’s braid and kissed her on the cheek. “Come on,
pet,” she said. “Help me get some breakfast on the table.”
Anna
scampered off into the kitchen while Mavourneen slowly got to her feet, one
hand on her swollen stomach. She was supposed to give birth to Anna and Bran’s
new brother or sister any day now, but in the meantime it was taking her quite
some time to get around the house.
She
followed her children into the corner of their house they’d set aside for
cooking and eating. With their help, she set the table and laid out the rest of
yesterday’s bread, some fruit, and a pitcher of the water Bran had drawn. She
then sent Anna into the forge to fetch Alban.
Anna
usually kept away from the forge with its heavy tools, scorching fires, and
loud noises, but she didn’t mind it so much in winter when it was cold outside.
It was still a fairly warm autumn, though, so the air inside Alban’s workshop
felt thick and heavy. She wended her way through the dark shapes until she came
to Alban’s side at the anvil as he hammered away at the blade of a scythe.
“Papa?”
she said. “Mother says it’s time for breakfast.”
Alban
set down his hammer and replied, “Well, it’s right about time, my girl; I’m
hungry as a bear.”
He
scooped her up, tossed her onto his shoulder like a sack of grain, and carried
her back through the forge amidst her giddy laughter. They were almost to the
side door leading to the house when it burst open and Bran rushed through it.
“Father!”
he exclaimed. “Mother says the baby’s coming!”
Alban
set Anna back on her feet. “Go send for Mother Nell,” he ordered. “Anna, child,
you go play outside.”
Anna
never needed to be told twice to go play. She ran off in search of Rafe while
Bran went to find the wisewoman to act as midwife.
Rafael
Cooper was a tawny-haired, freckle-faced eight-year-old boy who lived three
houses away. He was known as a bright, charming, good-natured, and decidedly
devious little boy, always with an ear-to-ear grin and a mischievous twinkle in
his eyes.
She
found him outside his father’s workshop munching cheerfully on an apple. He saw
her coming, reached into a pocket, and tossed her one, too.
“Thanks,”
she said, buffing it on her sleeve before taking a big bite, letting the juice
run down her chin before wiping it with the back of her hand. “Bran went to get
Mother Nell. Mother’s having the baby now.”
“Do
you want a sister or a brother?” Rafe asked.
They’d
talked about this for months now, and Anna had loved to change her mind
throughout, giving a different answer every time for different reasons. Rafe
himself was the youngest of seven children, and after four other sons and two
daughters, the Coopers had decided to spoil their last little angel.
“I
want a sister, you ninny,” Anna told him. “I want to tell her the story of the
beggar girl and the prince.”
“How
about the one about the princess trying to escape the ogre that’s going to eat
her?” Rafe suggested, throwing the apple core into the street.
Anna
smiled and threw her core after his. This was one of their favorite games. It
was tag in its essence, with Anna in the role of the princess in grave danger
of being roasted and eaten by the bloodthirsty ogre—Rafe. They ran through the
city streets, screaming and shouting, tripping people up, and occasionally
colliding with some obstacle that seemed to come out of nowhere. They’d been at
it for hours when Anna froze in the middle of the street and allowed Rafe to
run into her headlong. “Bran!” she cried.
There
was her brother heading towards them, wearing the amused expression of an older
sibling about to poke fun at the young fry.
“Has
Mother had the baby yet?” Anna asked.
“Not
yet,” Bran told her. “Father told me to come keep an eye on you. What are you
playing? Prince and beggar girl? Dragon and witch?”
“No,”
Rafe replied, shaking his head so emphatically it shook his hair out of place
and back again. “It’s princess and ogre.”
“And
who is the ogre?” Bran inquired. “I’ll wager it’s this one.” He pointed to
Anna.
“That’s
not funny!” she declared.
“It’s
not,” Rafe added. “If she’s the ogre,
then that means I’m the princess!”
Anna
forgot her indignation in order to tease her friend. “But you’d make such a
pretty princess, Rafael.”
Rafe
bristled. “And you’d make such an ugly ogre, but that’s the point, isn’t it, Penelope?”
Since
Anna liked her middle name as much as Rafe liked his proper name, they both
responded to such insults with an undignified tackle, rolling around in the
dust with each trying to pin the other until Bran separated them. “Now, that’s
not very princess-like, is it, Anna?” he asked, cocking an eyebrow.
Being
accused of unprincess-like behavior only annoyed Anna even more, so she changed
tack again. “I’m not a princess, Bran,” she said. “I’m a beggar girl.”
“Then
that makes Rafe the prince,” Bran told her.
Rafe
made a face. “The prince and the beggar girl got married,” he groused. “I’d
rather be an ogre.”
“And
I hate to tell you this, Anna,” Bran continued, “but the prince only marries
the beggar girl in the stories. In real life, he wouldn’t even buy flowers from
her.”
“Yes
he would,” she insisted. “He’d marry her, too. Now come on, Rafe, we don’t have
to get married. I’ll be the beggar girl, and you’ll be the prince for once.”
“I’ll
be the prince,” Bran offered.
“You’re
not handsome enough,” she sniffed.
“I’ll
be the prince, if no one minds.”
The
three of them looked up at the newcomer. They’d never seen him before; he
wasn’t even dressed the same way most were in this part of the city. But he was
handsome enough.
“All
right,” Anna said. “Do you know the story?”
“You
mean the prince and the beggar girl?” the boy asked. “Of course.”
“And
Rafe can be the dragon, and Bran can be the evil wizard,” Anna added.
“There’s
no dragon or wizard in that story,” the boy pointed out.
“There
is in one of my mother’s versions,” she told him, settling the issue.
So
the beggar girl, prince, dragon, and evil wizard embarked on a perilous quest
that took them to nearly every corner of Lelian. The game went on all
afternoon, and it would have ended perfectly if it hadn’t taken them to the
wealthier part of the city.
When
the prince was about to take the beggar girl away to his castle, a group of
boys burst into the street from an alley between buildings. They were
pretending to duel with long sticks, but stopped when they saw the band of
adventurers.
“Constantine,”
one called, “so you’ve decided to have fun with riffraff instead of us?”
The
other boys started laughing, but Anna didn’t see what was so funny.
“Is
that your new girl?” the first boy asked, pointing at her with his sword-stick.
“Is she going to be your princess? Were
you going to marry her?”
“No,”
the boy named Constantine snapped defensively.
“I’ll
bet you were,” the other boy taunted. “You were going to rule over all the
peasants of the land with a beggar queen.”
Now
Anna felt the sting of the boy’s words. So did Bran and Rafe, and they both
wore sour expressions. None of them were beggars, but the new boys were
evidently born into privileged families and didn’t make the distinction.
Constantine was insulted as well, but for a different reason. He was a proud
boy who simply despised being teased. “You keep quiet, Aglovale,” he cried, “or
I’ll hit you so hard—“
Aglovale
laughed and swung his stick. “Do your worst.”
With
that, the boys disappeared.
Anna
turned to Constantine and said, “Don’t let them bother you, they’re just
bullies.”
Constantine,
however, had suffered too severe a blow. He stormed off in a different
direction, brushing between them all and pushing Anna so hard she fell sideways
into a puddle of mud and muck.
“Hey!”
Bran shouted. “You leave my sister alone, you hear me? Next time I see you,
I’ll give you a beating you’ll remember when you’re an old man!”
It
didn’t matter that they would probably never see Constantine again; Anna felt
slightly better that her brother had taken up for her, but it couldn’t entirely
banish the hurt of being so roughly shoved and the shame of being so filthy.
Rafe
held out his hand and helped her to her feet. She wiped the mud from her face
and tried not to cry as Bran put his arm around her shoulders and led her back
home. “I’m sorry, Anna,” he said, “but that’s what really happens. The prince
pushes the beggar girl into the mud.”
Anna
held back her tears until they reached the other side of the city. She held
them until she couldn’t hold them anymore, and when she finally started crying,
they ran down her face leaving clean patches on her cheeks.
***
There it is! Off to a good start, you think? Gotta get back to work now!
Your pal,
Angels
Tuesday, November 6, 2012
Reviews From an HBN (First King of Shannara - Terry Brooks)
Stepping away from editing for a second to bring you this little ole thing. You know me, I gotta yammer about a book the instant I'm done with it!
Dark forces are on the move from the Northlands, and Bremen, an outcast Druid, learns of the huge Troll armies on the march and the Skull Bearers who act as their spies. To save the Druids, Bremen must convince the people of the Four Lands that their only hope lies in uniting -- and in using the magic they fear above all else.
MY RATING: 3 STARS
So there's the summary and the rating, and here's the review:
Well, now that I've gotten my behind in gear and sat down to write a blasted review...
Right off the bat, this had J.R.R. Tolkien all over it. Terry Brooks's Four Lands are like Middle-earth on a diet. There's an evil overlord rising back to power, an even more evil object of magic he can't be allowed to lay hands on, a small bunch of ragtags committed to stopping him, and a special sword meant to rally the troops and destroy the bad guy. There's even a Gandalf, an Aragorn, a Legolas, a Gimli, and a mix of Arwen, Galadriel, and Eowyn! I spent some time half-convinced I would see a few orcs or hobbits; negative on the latter, and trolls and gnomes instead of the former...close enough.
Glaring similarities aside, I enjoyed this. It was far less wordy than The Lord of the Rings and it had its more stirring moments as well (but I'll be honest, LOTR hit me harder). I get the feeling that a lot more effort has gone into this as opposed to, say, the Landover series, which I found charming enough to keep reading. Therefore, I'm going to stick with Shannara for awhile. A good bit of it felt derivative (wow, I'm using that word a lot in conjunction with a lot of fantasy epics! It just goes to show how Tolkien set the standard for the genre, doesn't it?) but it was good enough to keep me interested. I did think that the constant battles and skirmishes developed a lot of drag in the narrative and it all but killed the suspense to have the characters' lives in perpetual danger they always just managed to evade, and since this was a prequel, I pretty much knew how it was going to end, but I feel on solid ground for the main body of the series.
The characters themselves weren't as three-dimensional as I would have liked (development is key!) but I got very attached to Tay Trefenwyd, the Legolas in this equation. My first impression of him was of a happy-go-lucky chap I felt certain was going to annoy the pants off me, but it's to Mr. Brooks's credit that Tay became my uncontested favorite, with more depth and dimension to him than I had initially expected. His was the one subplot I felt didn't detract from the main conflict, and in fact supplemented and strengthened it as every good subplot should. I honestly felt for him, and it was all I could do to keep from bursting into tears in the middle of McDonald's when his part in the story ended the way it did. I just wish I felt the same about the other characters, and while I see the logic in not expending so much effort on people who won't have any further screen time beyond this installment, I still would have appreciated it even more if I'd gotten to know them half so well.
Let's see, what else...There's not much else, except to say that if you don't feel like devoting yourself to LOTR, you could do much worse than to pick this up. Oh, wait! Almost forgot! After doing some research on the subject myself a few years ago, I can applaud Mr. Brooks's efforts in detailing the art of blacksmithing. But one tiny nitpick: steel isn't cast when forging a sword. Just a minor irritant that gets me whenever I come across it.
Anyway, there were times when it felt like this was a hodge podge of unrelated quests and whatnot, but it all came together pretty neatly in the end. It's definitely one I don't regret reading, unlike other fantasy novels I could name. *coughBrisingr!cough* I look forward to the rest of the series!
There you have it, and now I have to get back to work!
Your humble book nerd,
Angels
Dark forces are on the move from the Northlands, and Bremen, an outcast Druid, learns of the huge Troll armies on the march and the Skull Bearers who act as their spies. To save the Druids, Bremen must convince the people of the Four Lands that their only hope lies in uniting -- and in using the magic they fear above all else.
MY RATING: 3 STARS
So there's the summary and the rating, and here's the review:
Well, now that I've gotten my behind in gear and sat down to write a blasted review...
Right off the bat, this had J.R.R. Tolkien all over it. Terry Brooks's Four Lands are like Middle-earth on a diet. There's an evil overlord rising back to power, an even more evil object of magic he can't be allowed to lay hands on, a small bunch of ragtags committed to stopping him, and a special sword meant to rally the troops and destroy the bad guy. There's even a Gandalf, an Aragorn, a Legolas, a Gimli, and a mix of Arwen, Galadriel, and Eowyn! I spent some time half-convinced I would see a few orcs or hobbits; negative on the latter, and trolls and gnomes instead of the former...close enough.
Glaring similarities aside, I enjoyed this. It was far less wordy than The Lord of the Rings and it had its more stirring moments as well (but I'll be honest, LOTR hit me harder). I get the feeling that a lot more effort has gone into this as opposed to, say, the Landover series, which I found charming enough to keep reading. Therefore, I'm going to stick with Shannara for awhile. A good bit of it felt derivative (wow, I'm using that word a lot in conjunction with a lot of fantasy epics! It just goes to show how Tolkien set the standard for the genre, doesn't it?) but it was good enough to keep me interested. I did think that the constant battles and skirmishes developed a lot of drag in the narrative and it all but killed the suspense to have the characters' lives in perpetual danger they always just managed to evade, and since this was a prequel, I pretty much knew how it was going to end, but I feel on solid ground for the main body of the series.
The characters themselves weren't as three-dimensional as I would have liked (development is key!) but I got very attached to Tay Trefenwyd, the Legolas in this equation. My first impression of him was of a happy-go-lucky chap I felt certain was going to annoy the pants off me, but it's to Mr. Brooks's credit that Tay became my uncontested favorite, with more depth and dimension to him than I had initially expected. His was the one subplot I felt didn't detract from the main conflict, and in fact supplemented and strengthened it as every good subplot should. I honestly felt for him, and it was all I could do to keep from bursting into tears in the middle of McDonald's when his part in the story ended the way it did. I just wish I felt the same about the other characters, and while I see the logic in not expending so much effort on people who won't have any further screen time beyond this installment, I still would have appreciated it even more if I'd gotten to know them half so well.
Let's see, what else...There's not much else, except to say that if you don't feel like devoting yourself to LOTR, you could do much worse than to pick this up. Oh, wait! Almost forgot! After doing some research on the subject myself a few years ago, I can applaud Mr. Brooks's efforts in detailing the art of blacksmithing. But one tiny nitpick: steel isn't cast when forging a sword. Just a minor irritant that gets me whenever I come across it.
Anyway, there were times when it felt like this was a hodge podge of unrelated quests and whatnot, but it all came together pretty neatly in the end. It's definitely one I don't regret reading, unlike other fantasy novels I could name. *coughBrisingr!cough* I look forward to the rest of the series!
There you have it, and now I have to get back to work!
Your humble book nerd,
Angels
Saturday, November 3, 2012
Had to Share This 26
Hey, I'm back already! *giggle* I just had to pass this one on to you. I've taken to keeping it in mind when things have been as rough as they've been lately, and it really helps.
Emmy Rossum - Lullaby
Your pal,
Angels
Emmy Rossum - Lullaby
Your pal,
Angels
Howdy, Folks!
Well, I'm back from the dead, if only just to say that with (even more) job hunting and the official start of NaNoWriMo, I'm going to be even more lax with posts through to December. Don't panic, I'm still here! I'm just swamped! In the meantime, enjoy some Sheytoons!
Sheytoons - Driftwood
Your pal,
Angels
Sheytoons - Driftwood
Your pal,
Angels
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